Restaurierte Fotografien von Konstantin Ziolkowski

Alle auf dieser Seite veröffentlichten digitalen Kopien der Schwarz-Weiß-Fotografien von Konstantin Ziolkowski wurden mithilfe moderner Technologien restauriert und koloriert. So kann jeder, der mehr über das Leben und Werk von Konstantin Ziolkowski erfahren möchte, diese Bilder in Farbe und hoher Qualität betrachten.


1863-1864

 Konstantin Eduardovich Tsiolkovsky at the age of 6-7. Photo portrait. 1863-1864. Blum Brothers Photo Studio. A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Konstantin Eduardovich Tsiolkovsky at the age of 6-7. Photo portrait. 1863-1864. Blum Brothers Photo Studio. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Eduardovich Tsiolkovsky at the age of 6-7. Photo portrait. 1863-1864.
Photographer: Blum Brothers Photo Studio
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization:  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. Mykola Krasnostup

 


1899

 K. E. Tsiolkovsky with his daughter Maria. 1899. Photographer: Assonov Alexander Vasilievich (1877—1943). A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  K. E. Tsiolkovsky with his daughter Maria. 1899. Photographer: Assonov Alexander Vasilievich (1877—1943). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

K. E. Tsiolkovsky with his daughter Maria. 1899.
Photographer: Assonov Alexander Vasilievich (1877—1943).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1899

 Konstantin Eduardovich Tsiolkovsky. 1899. Photographer: Assonov Alexander Vasilievich (1877—1943). The digital copy of the original black and white photograph. Source: Wikimedia Commons (Public Domain).  Konstantin Eduardovich Tsiolkovsky. 1899. Photographer: Assonov Alexander Vasilievich (1877—1943). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Portrait of K. E. Tsiolkovsky. 1899.
Photographer: Assonov Alexander Vasilievich (1877—1943).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1902

 Photo portrait of Konstantin Tsiolkovsky with a mirror. 1902. Photographer: Assonov Alexander Vasilievich (1877—1943). A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Photo portrait of Konstantin Tsiolkovsky with a mirror. 1902. Photographer: Assonov Alexander Vasilievich (1877—1943). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Photo portrait of Konstantin Tsiolkovsky with a mirror. 1902.
Photographer: Assonov Alexander Vasilievich (1877—1943).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1908

 Konstantin Tsiolkovsky with his family in the courtyard of his house. 1908. A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  K. E. Tsiolkovsky with his family in the courtyard of his house. 1908. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Tsiolkovsky with his family in the courtyard of his house. 1908.
Photographer: Konstantin Eduardovich Tsiolkovsky
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1908-1909

 Konstantin Eduardovich Tsiolkovsky. 1908-1909. Stefania Adamovich's Photo Studio. A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Konstantin Eduardovich Tsiolkovsky. 1908-1909. Stefania Adamovich's Photo Studio. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Eduardovich Tsiolkovsky. 1908-1909.
Photographer: Stefania Adamovich’s Photo Studio
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1908-1909

 Photo portrait of K. E. Tsiolkovsky, a teacher at the Kaluga Diocesan Girls' School. 1908-1909. Stefania Adamovich's Photo Studio. A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Photo portrait of K. E. Tsiolkovsky, a teacher at the Kaluga Diocesan Girls' School.  1908-1909. Stefania Adamovich's Photo Studio. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Tsiolkovsky – teacher of physics and mathematics at the Kaluga Diocesan Girls‘ School in the 1908/1909 academic year.
Photographer: Stefania Adamovich’s Photo Studio
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1913

 Tsiolkovsky K. E. and Assonov V. I. with models of the airship shell designed by K. Tsiolkovsky in the scientist’s workshop. Photographer: Assonov Alexander Vasilievich (1877—1943). A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Tsiolkovsky K. E. and Assonov V. I. with models of the airship shell designed by K. Tsiolkovsky in the scientist’s workshop. 1913. Photographer: Assonov Alexander Vasilievich (1877—1943). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Tsiolkovsky K. E. and Assonov V. I. with models of the airship envelope designed by K. E. Tsiolkovsky in 1912-1913 in the scientist’s workshop.
Photographer: Assonov Alexander Vasilievich (1877—1943).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1913

 Konstantin Tsiolkovsky with models of the airship shell of his own design in the garden near his home. 1913. Photographer: Assonov Alexander Vasilievich (1877—1943). A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Konstantin Tsiolkovsky with models of the airship shell of his own design in the garden near his home (61 Korovinskaya Street). 1913. Photographer: Assonov Alexander Vasilievich (1877—1943). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Tsiolkovsky with models of the airship shell of his own design in the garden near his home. 1913.
Photographer: Assonov Alexander Vasilievich (1877—1943).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1914

 K. E. Tsiolkovsky with his wife and daughters. 1914. Photographer: Assonov Alexander Vasilievich (1877—1943). A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  K. E. Tsiolkovsky with his wife and daughters. 1914. Photographer: Assonov Alexander Vasilievich (1877—1943). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

K. E. Tsiolkovsky with his wife and daughters. 1914.
Photographer: Assonov Alexander Vasilievich (1877—1943).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1924

 Konstantin Eduardovich Tsiolkovsky. 1924. The portrait was taken in a photo studio in Kaluga. A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Konstantin Eduardovich Tsiolkovsky. 1924. The portrait was taken in a photo studio in Kaluga. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Eduardovich Tsiolkovsky. 1924.
Photographer: The photo was taken in one of the Photo Studios in Kaluga.
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1924

 Konstantin Eduardovich Tsiolkovsky. 1924. The portrait was taken in a photo studio in Kaluga.   A digital copy of the original black-and-white photograph by Konstantin Eduardovich Tsiolkovsky. Source: Wikimedia Commons (Public Domain).  Konstantin Eduardovich Tsiolkovsky. 1924. The portrait was taken in a photo studio in Kaluga. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.  Konstantin Eduardovich Tsiolkovsky.  1924. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup..

Konstantin Eduardovich Tsiolkovsky. 1924.
Photographer: The photo was taken in one of the Photo Studios in Kaluga.
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1932

 Konstantin Tsiolkovsky in his office. 1932. Photographer: Chmil Feodosiy Andronikovich (1900-1945). The digital copy of the original black-and-white photograph. Source: Wikimedia Commons (Public Domain)..  Konstantin Tsiolkovsky in his office. 1932. Photographer: Chmil Feodosiy Andronikovich (1900-1945). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Tsiolkovsky in his office. 1932.
Photographer: Chmil Feodosiy Andronikovich (1900-1945).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1932

 K. E. Tsiolkovsky returns from a bicycle ride. 1932. Photographer: Chmil Feodosiy Andronikovich (1900-1945). The digital copy of the original black-and-white photograph. Source:  Wikimedia Commons (Public Domain).  K. E. Tsiolkovsky returns from a bicycle ride. 1932. Photographer: Chmil Feodosiy Andronikovich (1900-1945). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

K. E. Tsiolkovsky returns from a bicycle ride. 1932.
Photographer: Chmil Feodosiy Andronikovich (1900-1945).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1932-1933

 Konstantin Eduardovich Tsiolkovsky with the Order of the Red Banner of Labor and the badge of Activist of the USSR Osoaviakhim. 1932-1933. Photographer: Chmil Feodosiy Andronikovich (1900-1945). The digital copy of the original black-and-white photograph. Source:  Wikimedia Commons (Public Domain)..  Konstantin Eduardovich Tsiolkovsky with the Order of the Red Banner of Labor and the badge of Activist of the USSR Osoaviakhim. 1932-1933. Photographer: Chmil Feodosiy Andronikovich (1900-1945). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Tsiolkovsky with the Order of the Red Banner of Labor and the badge of Activist of the USSR Osoaviakhim. 1932-1933.
Photographer: Chmil Feodosiy Andronikovich (1900-1945).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1934

 Konstantin Eduardovich Tsiolkovsky.  1934. Photographer: Nikolai Alexandrovich Mozhaikin.  The digital copy of the original black-and-white photograph. Source: Wikimedia Commons (Public Domain).  Konstantin Eduardovich Tsiolkovsky. 1934. Photographer: Nikolai Alexandrovich Mozhaikin. Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Eduardovich Tsiolkovsky. 1934.
Photographer: Mozhaikin Nikolai Alexandrovich (?-1946)
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain), bidspirit.com
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1934

 Konstantin Tsiolkovsky on a bicycle in the courtyard of his house. 1934. Photographer: Chmil Feodosiy Andronikovich (1900-1945). The digital copy of the original black-and-white photograph. Source: Wikimedia Commons (Public Domain).  Konstantin Tsiolkovsky on a bicycle in the courtyard of his house. 1934. Photographer: Chmil Feodosiy Andronikovich (1900-1945). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Tsiolkovsky on a bicycle in the courtyard of his house. 1934.
Photographer: Chmil Feodosiy Andronikovich (1900-1945).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


1935

 Konstantin Tsiolkovsky looks through the received correspondence. 1935. Photographer: Chmil Feodosiy Andronikovich (1900-1945). The digital copy of the original black-and-white photograph. Source: Wikimedia Commons (Public Domain).  Konstantin Tsiolkovsky looks through the received correspondence. 1935. Photographer: Chmil Feodosiy Andronikovich (1900-1945). Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain). Restored and colorized version of the original black-and-white photograph. Digital restoration and colorization using artificial intelligence systems as one of many tools: Mykola Krasnostup.

Konstantin Tsiolkovsky looks through the received correspondence. 1935.
Photographer: Chmil Feodosiy Andronikovich (1900-1945).
Source of the digital copy of the original photograph: Wikimedia Commons (Public Domain)
Digital restoration and colorization  The restorer used artificial intelligence systems during the restoration and colorization process as one of many pre-processing tools for the digital copy of the original black-and-white photograph. Distortion of fine details is possible. Colorization does not guarantee accurate historical color reproduction. : Mykola Krasnostup

 


Konstantin Tsiolkovsky on the International Space Station. STS-113.

Konstantin Ziolkowski im Weltraum. Internationale Raumstation. STS-113.


 

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